Live Lighting
Design
Rig plots, fixture choice, color systems and lighting direction built around the music — from one-room shows to festival stages.
PROJECTED REALITY
Start a show
PROJECTED REALITY
Start a show
LIVE VISUAL PRODUCTION SHOW PROGRAMMING LOS ANGELES
LIGHT HITS HARDER.
LASERS CUT THROUGH.
EVERY CUE HAS A PURPOSE.
Rig plots, fixture choice, color systems and lighting direction built around the music — from one-room shows to festival stages.
Pre-produced shows that play back with precision — every blackout, hit and chase locked to the track, landing the same way every run.
Laser looks programmed for the room, not the preset folder — with FDA Variance certified operation where required.
Projection-mapped surfaces and immersive visual environments that turn plain rooms into programmable spaces.
Timecoded lighting built to hit the track — designed and pre-produced for artists, bands, livestream performances, music videos, release events and touring productions.
The show is built against your track, not improvised over it. Every blackout, beam hit, strobe burst, color change and movement cue is locked to the music — so the show is precise, repeatable and hits exactly the same way at rehearsal, on stream, and on night thirty of the tour.
Program my showWe create and program ILDA laser shows for live music, events, livestreams and performance environments — cones, fans, tunnels, sheets and aerial effects cut through haze with frame-level control.
Laser is a regulated medium, and we treat it that way. Beam zones, audience exclusion, divergence and power levels are engineered before the first frame is drawn — including FDA Variance certified laser show operation where required. Serious on paper, so it can be relentless in the room.
Programmed, not improvised. Every show leaves the studio as a finished cue stack — built on the desk, checked against the track, ready to fire.
DMX cue building for every fixture on the plot — every blackout, sweep and beam hit has a reason.
Laser looks programmed for the room, not the preset folder — safety-aware from the first frame.
Content for every surface in the room — from mapped architecture to the screen behind the artist.
Pre-produced shows that play back with precision — the same frames, the same hits, every run.
The visual language of the show — where it breathes, where it slams, and why each moment lands.
Projected Reality is led by Joe Faratzis — a media producer, visual designer and systems builder creating live environments where lighting, lasers, projection, cameras and code move as one system.
He has built complex custom livestream and production pipelines from beginning to end — cameras, lighting, projection, software automation, interactive overlays, show control and custom code — and designs custom interactive environments and live visual systems, not just content. The work blends show programming, custom livestream pipelines, interactive overlays, DMX control, ILDA laser design and real-time visual tools into performances that feel intentional from the first blackout to the final hit.
Founder of Radiant14, a cancer awareness brand supported by more than 70K fans.
Bands, DJs, livestream creators, venues, music videos, launch events and branded performances.
You don't need an arena budget to feel like an arena. Smart programming, lighting direction, haze, lasers, projection and tight cue timing can make a 200-cap room hit like a festival main stage — because impact comes from precision, not fixture count.